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Exhibitions



 ‘Self Skinning Poly’. Hundred Years Gallery
2nd October 14:00 to 22:00 & 3rd October 12:00 to 19:00 2021
Dumphries house drawing school residency
March 2019
‘Waiting For something To Happen’
Black Tower Projects, Dec 2018
‘Look’, Freelands foundation 27.9.18 to 27.10.18
‘Kingston BA Fine Art Degree Show 2018’,  Avionics building 2.6.2018
‘Making and showing’, Knights Park foay Kingston university 28.2.2018
‘Leisure Life’, 15 · Kurzbauergasse Oida 20.07.2017
‘RUNDGANG 2017’,  Academy of fine art Vienna 19-22.01.2017
‘Salzburg academy open studio’, Salzburg  6.8.2016
‘Stubburn Comfort’, Kingston university second year degree show  5.5.2016
‘{{{{{{{Bin Bag}}}}}}’, Kingston university first year degree show 7.5.2015
‘Club Tropicana’, Gallery on the corner 23.2.2015
‘Curicular Activities’ hosted by Untitled X Adidas, Dalston Pier 21.2.15 ‘Pasteurized Prepared Cheese Product’, America Square 4.12.14
‘SCChool of Art and Design Diploma Degree Show’, Sussex Coast College Hastings 6.5.14

Education, Experience


2014-2018 BA Fine art Kingston University
2013-2014 Foundation diploma Sussex Coast College Hastings

2016-2017 Erasmus @ Academy of fine art Vienna

2016 August, Grant placement at the Salzburg Academy, “When Scupture walks away” with Nora Schultz

2018 volunteer V22 Young London 2018
2015-2016, Auto Italia Southeast Gallery volounteer assistant

Bio


NEW IRN MURAL 2018
This piece of work was made over many layers of abstraction, combining elemnents of penny coins, flags, cubes and grids. It hinges on an element of comic relief and an attitude of playfulness. The murals aim is to be disrupt every day experiences into reference points for a sense of identity, deforming material into a pantomime of bangs, a description of a leap of faith; staking a banner in the ground in a groundless commodified setting. I was inspired by images that provoke a sense of provincialism, that are already present in towns and cities: welcome signs, football club emblems and things unkept in the day-to-day. There can be seen a promise in these experiences, in a stalling pre-Brexit UK, as one of a still activable world. a bygone and present wonderland of mundane olds among looming futures; hammers, flags, land fill, concrete and metal signs. The attempt at reanimation of this simple content into a propaganda vision, an improbable utopia, show off conflated and ambigious semiotics and possibilities. The creeping in of imagination, against the odds, and dispersion of static ideas whilst also harking back in seeking something solid.


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